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Sukche Painting (use natural colored mineral materials
as painting colors) that is pursuing everlasting colors.


The chairman of Korean fan painting, Lee Il young.


The pursuit of perpetual constancy and colors filled with profound consciosness exists together in Sukche Painting by Woon Gok.
As we see from golden color, in the history of human being which has pursued everlasting things, there has been a long journey as much as a long existence of human being.
From the preference about the most valuable things, when we consider sublimated change into cognition of precious value in the category of history, regardless of the ages and countries of the world, at last we arrive in the eternal world of art.
Being eternal means that its beginning opens from unchangeable foundation and arrives in the highest sensibility from real affirmation of constancy. Artistic genres consisted of colors are various but paintings have been coexisting with everlasting colors from the beginning of the world as a core in art.
Color is a cognition that each has as sensibility, and its way of picturesque expression has had its own history in the various experiment and pursuit. When we understand sincere colors existed in the thinking of artist,Woon Gok, we finally come to know about the sublimated art world by him.
Based on the affection for the colors melted in our national sentiments, Woon Gok wanted to put those colors into Sukche Painting. He also tried to express the spirit of landscape and refinement of nature in his profound works. So, in his works, there are two distinctive characters such as magnificent techniques and spiritual expressions at the same time.
From the distinctive points in Sukche Painting by Woon Gok, if we consider materialistic features in colors and spiritual root expressed in his work, we will know that the endless current of history existed in colored pictures and his deep cognition and affection for colors have been blooming with his strong will From the era of the late Korea filled with conservative thoughts to the Japanese annexation of Korea obliterated our national spirit and culture, our colors were stagnant for a long time. But, Woon Gok tried to find out our colors fallen behind above fact. This can be said that his strong will searched for our colors.
In the process of some painters trying to look for materials and various techniques for Sukche Painting, its original form and techniques were introduced from abroad and transformed into another. When painters know this fact obviously, they realize that original form of our color and the spirit of nature should be made by painters as our own colors. Painters are responsible for this.
We can understand the cognition of painting given much more weight to substantial materials of colored picture existed in both Chinese ink painting which corresponds with value and sensibility embedded in Chinese ink as a symbol of the Eastern culture and the Five Elements as an essence of the Eastern philosophy interpretating sensibility with national and real colors. That is the reason why artist regards importantly this fact that Chinese ink and natural colored minerals were common materials for representing unchangeable colors.
From this point of view, artist can paint things on the basis of Chinese ink through his coherent working beyond one-dimensional consciousness. And, we are able to know weight of his painting on the Chinese ink color. Painting that is showing refinement and profound elegance is not simply a visual expression but an eminent area rooted deeply in Korean art as the crystal of art.
In the works of Woon Gok, solitary will expressed from painters who go in advance exists as an original model.
We can see that substantial nature become a matter in his Sukche Painting. The style of colored painting inherited from the landscape of the ancient time to GumByuk Sansu(landscape) GumNi Sansu(golden
colored painting) Cheongrok Sansu(blue and green colored painting) shows that mutual response between nature and artist has been appeared sublime as an artistic value. Because the ability of artist can show painting in the category of mental image, picture is made in real expression.
On the other hand, the natural subject matter within Sukche painting by Woon Gok rejects simple expression of sensibility. In his choice among subject matters like Paektu Chenji(crater lake on the mountain), Moodung San Seosul (auspicious snow), Gumgang San unhae(clouded sea), and Haegum river, he simply does not paint those subject matters but, he expressed lofty spiritual inside of things which should be for good with obvious cognition about our national art.
And he rejected painting landscape and elegance of nature as a simple scenery and similar beauty. This is a strong absorption of substance about our colors. When we meet his works implied the spirit and providence of nature for expressing the consciousness of our nation, we come to realize his artistic responsibility for his works through the world of art.
Seeing his paintings filled with suffering for pursuit for pure art and traditional inheritance and recreation of art, we think with consideration about his ability for his penetrating eye for our colors. And also, we feel his profound thinking about art itself. The Western paintings which can be easily compared with colored painting of ours in the viewpoint of visual basis expression changed colors through mixed colors with painting colors, make colors as painter¡¯s own individual character and explains landscape with the change of air and light. On the other hand, solitary will through works interpersed with our colors which regains its strength with the spirit of graceful landscape was combined with perpetual light. And when we can know about our mountains and hills full of colors of high spirit, journey like painter¡¯s penance will become a high pagoda and be with us.
In 1993, Woon Gok wrote ¡°The techniques of Oriental painting and he brought techniques about our painting and materials to completion. After that, unlimited power which is coming out from the spirit of artist can be seen in Sukche Painting showing our spirit world and we will meet unlimited power through the profound works of Woon Gok forever.



By Seong Min Lim, Phone 016-724-0679


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Woon Gok KANG JANG WON


Recieved teaching from professor Kim Hyung Su
Writing: The techniques of Oriental painting( published in 1993 by Misul gongron Co.)
Collection of paintings of Kang Jang Won(published in 1996)
Opened his sixth times personal exhibition (3 times in Kwang ju, 3times in Seoul)


1982 Personal art exhibition (once, Namdo art hall)
1984 Personal art exhibition ( twice, Academy gallery)
Three persons¡¯ exhibition (Jeong gallery)
1984-1985 Preview for the first publication of reading newspaper
1986 Personal art exhibition (third times, Academy gallery)
1987 Personal art exhibition (fourth times, Kyung in gallery)
1988 Art interchange exhibition for Young-Honam
1989 Research of painting and calligraphy
1990 Art exhibition about traveling in China and Mt.
Paektu(Yeonhee formative art gallery by Saekye Ilbo)
1991 Korea and Mongolia joint exhibition (National modern gallery)
Preview of small pieces of painting of Mok Woo Club(Daegu Bongsung gallery)
1992 Art exhibition of modern Korea (Australia)
Korea and Germany joint exhibition (Moscow, Hungary)
Art league exhibition of modern Korean painters(Seoul city gallery) Serial of painting with tea (Taepyungyang green tea Co.)
1993 Membership exhibition of Mok Woo Club(National modern gallery)
Painters¡¯ league exhibition of Korea and Germany(Hall of Yesul) Wrote The technique of Oriental painting series 1.2.3.( published by Misulgongron Co.)
Art league exhibition of modern Korea(Seoul city gallery)
Collection of works for calender (Image bank Co.)
1994 Serial of cover painting for green tea(Taepyungyang Co.)
Calendar selection (Non grouping company of Hanhwa Co.)
Open the class of oriental paintings
1995 Calendar works selection (Korean Air Co.)
Membership exhibition of Mok Woo Club(National modern gallery)
Painters¡¯ league exhibition of Korea and Germany (Seoul city gallery)
League exhibition of modern Korean painting
(Moonye gallery)
Serial of monthly calligraphy cover painting (Misulmoonhwa won)
1996 Membership exhibition of Mok Woo Club (Hall of Yesul)
Painters¡¯ league exhibition of Korea and Germany
(Hall of Yesul)
Exhibition for the memory of teacher, Heo Back Ryun
(Kwangju city gallery)
League exhibition of modern Korean painting(Hall of Yesul)
Personal exhibition (fifth times, Deokwon gallery)
Collection of Biwon by Kang Jang Won(published by Misul moonhwa won)
1997 Preview of leading painters in Honam province
(Woo suck gallery)
97 Namdo art exhibition (auspices of Kyungsang namdo province)
Exhibition of Korean abstract painting groups(Hall of Yesul)
League exhibition of Korea and Germany(Seoul city gallery)
Preview of Korean paintings(Germany, auspices of Hambourg)
Charity exhibition of artists(Hall of Yesul)
Preview of Korean painting by 21 arttists (Ye il gallery)
Exhibition of small pieces of modern Korean painting by 100 artists (Jo hyung gallery)
Holding of a judge for public subscription of Mok Woo Club.
1998 exhibition of illustrated poems of Yoon Chae Han (Seoul gallery)
Preview of honam painters (Dongdeok gallery)
Art exhibition of Korean fan paintings(Samsung Plaza gallery)
Exhibition for the memory of establishing Korean government¡¯s 50th anniversary by 50 Koreans fan painters.
1999 Exhibition of Korean professinal painters(Seoul city gallery)
Preview of Namdo painters living in Seoul(Kwangju)
Preview of Kung Dong art contest(Kwangju)
Preview for the memory of Yeil gallery¡¯s 15th anniversary.
Preview for the memory of Korean gallery¡¯s openning
Exhibition of the last secretary landscape in Dong river (gallery Sang)
Membership exhibition of artists in Korea and Germany
(Dongdeok gallery)
Membership exhibition of Mok Woo Club(national modern gallery)
2000 Invited a guest for ¡°iTV new year, new morning¡±
Handwriting of dragon picture
Holding of a judge for exhibition of Korean calligraphy(in Hwasung)
Preview of Korean painting of Mok Woo Club(Korean gallery)
Opening art contest (Ducksu palace gallery)
Sixth times, personal exhibition (gallery Sang)



present Run Academy of Oriental painting
Belong to Korean art painting league
Belong to Korean painting league
Belong to the league of Korean and German painters
Belong to Mok Woo Club
Belong to the league of Korean professional artists


È­½ÇÁÖ¼Ò ¿ì 110-320 ¼­¿ï ñ£ÖØÏ¡ Ñâê®Ô× 280-4 °Ç±¹1È£ B/D 404, 405ûÜ TEL: 02)736-2191 FAX: 02)739-0518


Address of Studio post code:110-320 Seoul Jongro-gu Nak won dong 280-4 Gunkuk 1 B/D 404, 405 Tel:02) 736-2191 Fax:02) 739-0518

 
 

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